Not long after American theatres started announcing showtimes, I confirmed with my local Alamo Drafthouse that they would be showing it. I knew if any theatre in Kansas City would be showing a movie like this, it would be them. They originally planned three screenings but recently added a fourth. I bought tickets a month in advance and got some prime seats.
I went to the first, Tuesday night screening at 7:30pm. I invited my mom as well, as she is also a fan of Godzilla. Before the movie, the Alamo had their pre-show features, consisting of things like Godzilla trailers, BAMBI MEETS GODZILLA, and other random bits.
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Me at the Alamo Drafthouse theatre. |
rms are also quite bizarre, and quite shocking the first time you see them (I had never seen them prior to my first viewing), but are interesting. I'm not sure what, if any, scenes actually used traditional special effects, but either way, I found the effects in general to be very good and convincing. As Toho had touted, the movie has a massive cast of characters and bit players, of them in particular I recognized Akira Emoto who was Akira Yuki in GODZILLA VS. SPACEGODZILLA. The ending, which I won't spoil, came as an abrupt surprise to me, because most discussion about it in the movie I wasn't able to understand.
The score was an interesting one, by Shiro Sagisu, who also scored EVANGELION, but admittedly the only other work of his I'm personally familiar with is his score to MAGICAL SHOPPING ARCADE ABENOBASHI. His music works good in this film, with several very memorable tracks, though a few are a bit repetitive (at least, that's easier to note if you're just listing to the soundtrack CD itself, which I purchased at Tower Records in Shibuya). Stock Ifukube music is used as well (the original tracks, not re-recorded) and used to pretty good effect, culled from GODZILLA '54, KING KONG VS. GODZILLA, TERROR OF MECHAGODZILLA, and interestingly enough, BATTLE FROM OUTER SPACE. The end credits are a compilation of several other Godzilla film themes.

Overall, it was a great experience. The house was packed, and the audience seemed to love it. My mom liked it, though she says she's still more partial to the older Godzilla. The next couple screenings at the Alamo are rapidly selling out. I'd like to attend one but due to circumstances, it's unlikely. Kudos to Funimation for making this available in the US, especially on the big screen, and so SOON after Japanese release (less than two and a half months!). And a special thank you to Hideaki Anno and Shinji Higuchi, for giving us their unusual, but fantastic and fresh take on Godzilla.